Digging into memory is the theme of Wadi’s Khalid’s exhibition, the artist from al-Aroub refugee camp. In his current exhibition, where the first well is – the infiltrations of the conscious and the deposits of one’s self are in their initial creation. The house-the room, as a physical space that fostered his hopes, dreams, ambitions, worries and concerns. The house-the family, as a social and existential incubator that built his early awareness in a reality that bursts with misery, cruelty and deprivation, icons of the literature of resistance, personalities such as Um Sa’ad, Abu Qais, Fatima, Virgin Mary, Jesus Christ, etc. All of these are visual convocations and metaphors that filled the memory of Khalid, yet he did not fall into the trap of naïve recording of that memory. With his selectivity, modulation and aesthetic treatment as well as the artist’s biased presence as an artist with artistic skills, talent, imagination, ability to express, coloring and anatomical potentials of the human body, and creation of visual, aesthetic and creational solutions, all of these talents created a special reality for the artist. This reality was formulated with conscious and planned dramatic structures and embodied his narrative which is founded on symbols, searching for one’s self, land and identity.